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St. Vincent has opened up about her follow-up to 2021’s Daddy’s Home, and it positive sounds attention-grabbing. In a brand new interview with MOJO journal, the artist born Annie Clark stated her new album is “darker and tougher” than her most up-to-date mission and described its sound as “pressing and psychotic.”
Clark self-produced the album and recorded it at her personal Compound Fracture studio in LA, New York’s Electrical Woman, and Steve Albini’s Electrical Audio in Chicago. “I wanted to go deeper to find my very own sonic vocabulary,” she stated concerning the expertise. “I like to consider [the record] as post-plague pop, it’s rather a lot about heaven and hell — the metaphorical sorts. Which is acceptable, as a result of sitting alone in a studio for that many hours I’d say is a model of hell.”
She added that the album is crammed with “numerous guitars” alongside ’70s and ’80s analog synths. “It sounds pressing and psychotic, in equal elements probably the most caustic sound and likewise, I feel, probably the most sonically blooming,” Clark stated. “It’s excessive stakes and intentional.”
Clark went on to explain it because the “least humorous document” of her profession. “The final document, I used to be approaching powerful topics with a number of biting humor and wit,” she defined. “This document is darker and tougher and extra near the bone… There’s nothing cute about it.”
With out going into particular element concerning the songs, Clark revealed that contributing artists embody Foo Fighters’ Dave Grohl and John Freese, in addition to Cate Le Bon.
Because the launch of Daddy’s Dwelling, Clark has been busy overlaying different artist’s songs throughout dwell performances, together with Kate Bush’s “Running Up That Hill (A Deal with God),” David Bowie’s “Young Americans,” Portishead’s “Glory Box,” and Fleetwood Mac’s “Dreams.”
Now, it’s time to listen to from St. Vincent as soon as once more.
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