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Song of the Week delves into the contemporary songs we simply can’t get out of our heads. Discover these tracks and extra on our Spotify Top Songs playlist, and for our favourite new songs from rising artists, try our Spotify New Sounds playlist. This week, Sigur Rós make a chic return with “Blóðberg.”
Even at its greatest, post-rock is usually a fairly rattling alienating style. As we explored in our checklist of the 10 best post-rock albums of all time, the lengthy, meandering, sonically unconventional songs aren’t precisely bangers you’d sprinkle into a celebration playlist. However for remoted, near-spiritual experiences, the style can’t be overwhelmed. Icelandic post-rockers Sigur Rós have been proving as a lot for many years, and for his or her comeback single “Blóðberg,” they provide some of the seductively chic compositions of their profession.
Leaping into “Blóðberg,” and the remainder of Átta, comes with fairly a bit of luggage. Past the inevitable comparisons to their most canonized works — albums like Ágætis byrjun, which tower as genre-defining classics — it’s additionally the primary new music from the band in a decade. For followers, it’s probably an ideal storm of unrealistic expectations.
So, does Sigur Rós fight such expectations with a grand reinvention? Maybe an overly-ambitious, progressively-structured odyssey of a track? No. As an alternative, “Blóðberg” strips the band to its naked necessities (which, sure, a 41-piece orchestra does in truth rely as a necessary). With no explosive crescendos, mounting guitars, and even any kind of percussion to cover behind, the observe dares to hinge on the great thing about its melody and orchestrated backdrop alone.
On paper, it would sound the tiniest bit uninteresting. However in observe, Sigur Rós transports the listener right into a state of extra-reality, astonishingly making its over-seven-minute runtime really feel far shorter than it truly is. It’s ethereal, transitive, and a becoming return for the avant-rock giants.
— Jonah Krueger
Honorable Mentions:
Slaughter Seashore, Canine – “Unusual Climate”
Whereas the 2017 reduce “Acolyte” may be TikTok’s favourite Slaughter Seashore, Canine track (and it is an amazing tune), Jake Ewald’s songwriting has solely strengthened with every subsequent launch. The newest from the Philadelphia indie outfit, the easy-going and beautiful “Unusual Climate,” continues the upward development. With its electrical piano and bluesy guitar, “Unusual Climate” takes nearly a rustic rock angle to Slaughter Seashore, Canine’s typical indie system. What the observe does have in widespread with Ewald’s earlier work, nevertheless, is how he strikes the right stability between singable and poetic lyricism. Right here’s to hoping Slaughter Seashore, Canine has extra songs like this one coming earlier than later. — J. Krueger
Sedona – “Domino”
Sedona is again to ring in a tragic summer season with “Domino,” her second single of 2023. The track takes after the ’90s-inspired “Sharkbite,” a 2021 single that noticed the New York songwriter embracing a fuzzier, sharper model. All through, Sedona laments her disillusionment in a relationship, utilizing her crystal clear vocals as a distinction to the paralyzing disappointment she sings about. In comparison with her debut single 5 years in the past (the still-irresistible “Name Me Up,”) “Domino” looks like the highest of a very totally different mountain for Sedona, and all eyes are on what she’ll do subsequent. — Paolo Ragusa
Coach Get together – “Born Chief”
Coach Get together’s new single “Born Chief” is nice for a lot of causes. It’s a terrific introduction to the Isle of Wight group’s anthemic shoegaze, every band member is firing on all cylinders, and it splits the distinction between reverb-drenched, slacker-esque malaise and rousing rock. However maybe the best a part of “Born Chief” is its immediately memorable refrain, with vocalist Jess Eastwood’s hovering, determined melodies giving the track a surge of power. “I all the time query myself,” she sings within the second verse. There could also be some doubt and insecurity within the track’s lyrics, however “Born Chief” nonetheless oozes with confidence. — P.R.
Woman Scout – “Boy in Blue”
It’s their seventh single — seventh track ever — however you wouldn’t understand it. Woman Scout’s “Boy in Blue” is catchy, electrical, and refreshing, infusing a track about frustration and ghosting with the lightness and cleverness the band has grow to be recognized for in such a brief period of time. With a harmonious refrain harking back to Finest Coast and a lilting xylophone breakdown to maintain you in your toes, “Boy in Blue” is indie rock personified and made new once more. — Maura Fallon
Vagabon – “Can I Discuss My Shit?”
Again in January, Laetitia Tamko introduced the discharge of her third album Sorry I Haven’t Referred to as, the observe as much as her self-titled people album. Her newest single, “Can I Discuss My Shit?” is an upbeat pop quantity that effortlessly demonstrates her versatility as an artist. Vagabon additionally showcases her rap chops, persevering with to discover new grounds on this document and constructing off the kaleidoscopic sound of the undertaking’s lead single, “Carpenter.” — Solar Noor
Tune of the Week Single Paintings:
High Songs Playlist:
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